In Historic Maneuver, Almoravid Fleet Sails to Gaza's Aid, Vows to Liberate Al-Aqsa in "Final Great Battle"

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English Translation

 In Historic Maneuver, Almoravid Fleet Sails to Gaza's Aid, Vows to Liberate Al-Aqsa in "Final Great Battle"

Urgent/

The Almoravid fleet,under the command of Yusuf ibn Tashfin, has arrived by sea at the shores of Gaza to support and relieve its people and to exact revenge from the criminal Jews. The force aims to advance towards Jerusalem to liberate the Al-Aqsa Mosque and eliminate the Zionist state.

This operation will be followed by a campaign to remove the Arab rulers complicit with it, as the mobilization and continuous flow of Moroccan Mujahideen by land to Palestine continues in preparation for the decisive, final Great Battle.

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Analysis & Explanation for the Foreign Reader

This text is a masterful and dense piece of political satire that weaves together historical nostalgia, religious prophecy, and sharp contemporary critique. Its power for an international reader lies in understanding the potent symbols and historical references it employs.

1. The Satirical Premise: A Time-Bending Liberation Army

The core joke is the anachronistic deployment of an 11th-century empire to solve a 21st-century conflict.The writer creates a fictional scenario where a legendary, victorious Islamic force from the past bypasses modern, failed political and military structures to achieve what they perceive as justice. This absurdity highlights the depth of frustration with the current state of Arab politics and the perceived ineffectiveness of contemporary leaders and armies.

2. Deconstructing the Satirical Symbols:

· Yusuf ibn Tashfin and the Almoravids: This is not a random choice. Yusuf ibn Tashfin was the formidable leader of the Almoravid Empire, a Berber dynasty that unified Northwest Africa and parts of Spain in the 11th century . He is a revered figure in Islamic history, known for his piety, military prowess, and for answering the call for help from Al-Andalus (Muslim Spain). By having him lead the charge, the satirist invokes a "golden age" of Islamic power, unity, and decisive action, creating a stark contrast with today's rulers .

· The "Flow of Moroccan Mujahideen by Land": This directly echoes the historical presence and role of Moroccans in Palestine. After Salahuddin al-Ayyubi (Saladin) liberated Jerusalem from the Crusaders in 1187, he settled a community of Moroccan warriors in the city to protect it . This area became known as the "Moroccan Quarter," which stood for centuries until it was demolished by Israeli authorities in 1967 following the Six-Day War to create the Western Wall Plaza . The satire thus taps into a deep, historical connection and a sense of betrayed legacy.

· The "Decisive, Final Great Battle" (Al-Malhamah al-Kubra): This is a crucial reference to Islamic eschatology. The "Great Battle" is a prophesied, cataclysmic war between Muslims and the "Romans" (often interpreted as the Western world) that will occur before the end of days . By invoking this concept, the text elevates the current conflict from a political struggle to a metaphysical, existential one. It satirically frames the modern Israeli-Palestinian conflict as the fulfillment of this prophecy, suggesting that the situation is so dire and intractable that only an event of biblical proportions can resolve it.

3. The Overall Critique and Context:

The satire operates on multiple levels to critique:

· The Inaction and Complicity of Arab Regimes: The call to "remove the Arab rulers complicit with it" is a direct, daring attack on governments that have normalized relations with Israel or are perceived as not doing enough to support the Palestinian cause. It voices a popular anger that is often suppressed in public discourse.

· The Failure of Modern Solutions: By reaching back to a medieval solution, the writer implies that all modern political and diplomatic avenues—the UN, peace processes, Arab leagues—have failed.

· The Weaponization of History and Religion: The piece demonstrates how historical narratives and religious prophecies are mobilized in political discourse to frame contemporary conflicts, provide a sense of hope, and critique the present.

For the international reader, this text is not a literal call to arms but a highly sophisticated and angry commentary on political despair, historical memory, and the search for redemption in a landscape perceived as corrupt and impotent. It uses the language of epic fantasy to critique a tragic reality.

I am ready for your next text. The chronicles of this anachronistic war for justice and dignity continue to demand our attention.